Free PDF The Decapitated Chicken and Other Stories (Texas Pan American Series), by Horacio Quiroga
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The Decapitated Chicken and Other Stories (Texas Pan American Series), by Horacio Quiroga
Free PDF The Decapitated Chicken and Other Stories (Texas Pan American Series), by Horacio Quiroga
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Review
"[Quiroga's stories] are, like Poe's, full of psychological shocks and eerie effects and are bracingly, if ruthlessly, realistic." (New Yorker)
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From the Back Cover
Tales of horror, madness, and death, tales of fantasy and morality: these are the works of South American storyteller Horacio Quiroga. The first representative collection of his work in English, The Decapitated Chicken and Other Stories provides a valuable overview of the scope of Quiroga's fiction and the versatility and skill that have made him a classic Latin American writer.
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Product details
Series: Texas Pan American Series
Paperback: 214 pages
Publisher: University of Texas Press (June 1, 1984)
Language: English
ISBN-10: 0292715412
ISBN-13: 978-0292715417
Product Dimensions:
6 x 0.5 x 9 inches
Shipping Weight: 12 ounces (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
13 customer reviews
Amazon Best Sellers Rank:
#342,325 in Books (See Top 100 in Books)
Horacio Quiroga (1878-1937) is not a name that I think most English-speaking readers know.One part de Maupassant for fluidity; one part Kafka for the uncanny or Freud's das Unheimliche; and one part Edgar Allan Poe for psychological horror and; the last portion belongs to him alone: his own inimitable narrative and plots; and what we have is a writer to admire, one who preceded all of the magic realist writers. Jorge Luis Borges, Alejo Carpentier, and Gabriel Garcia Marquez, Arturo Uslar Pietri - in Latin American literature; Massimo Bontempelli, among Italian writers; and Salman Rushdie, Toni Morrison, and Angela Carter in the English-speaking world - all owe a debt to Horacio Quiroga.Quiroga is a writer primarily concerned with illusions and human foibles. In "The Dead Man," a man determined to tame Nature slips by accident and falls on his machete, denying to the end that his workaholic intensity is for naught. He is dying and as he dies the reader sees through the protagonist's eyes as the macroscopic winnows and narrows to the microscopic and then nothingness. In "A Slap in the Face," a tyrannical boss mistakes a stoical worker's silence for weakness until the worker turns on him, using the Boss Man's own riding crop for revenge, in a scene worthy of "Cool Hand Luke."To generalize, Latin American writers are known for weaving political commentary into their narrative and, for good reason, given the histories of the various countries, but Quiroga is hardly political. His commentary, if any, is cautionary, and I'd argue, a warning about our disrespect for Nature. Quiroga is an ecological writer of paramount importance. That he spent most of his life in and out of the jungles of the Misiones in the northwest of Argentina informs many of his stories. The jungles, the rivers, and animal life figure large. Nature in all of its manifestations is wild, untamable, and should be respected. An excellent demonstration of this is his story "Juan Darién," in which a tiger is raised as a boy but eventually rejects humanity because humans obsess about differences rather than focus on the common need for love and family. Read "Darién" and then find and read Borges's "Blue Tigers."Several of his stories deal with the horrific and the perverse. "The Feather Pillow" is a vampiric story that involves a wasting disease of unknown etiology and a pillow. "Sunstroke" is told from a dog's perspective about his master's innate stupidity. I can't even describe the unexpected outcome of the story, "The Decapitated Chicken," which involves four insufferable, bratty children.While dialogue is not prevalent in his work but keeping J.K. Rowling's use of snakes in mind, sit back and read Quiroga's "Anaconda," which uses dialogue effectively and is a fascinating short story-novella about an alliance between non-venomous and venomous snakes against scientists in the jungle collecting snake venom to develop anti-venom serum for every species of venomous snake. Aside the pharmaceutical exploitation that Quiroga could never have imagined, he creates a remarkable metaphor for strength with his heroic Anaconda, which, incidentally, is female.The Margaret Sayers Peden translation that I have cites the out of print Exiles (1926, Los Desterrados in Spanish) and Stories of Love, Madness, and Death (1917, Cuentos de Amor, de Locura y de Muerte) as Quiroga highpoints. The introductory essay alludes to a "Manual of the Perfect Short Story Writer" that Quiroga wrote for aspiring writers, but I am unable to find it in book form.In all the years I have been reading, it hasn't been often find the lives of writers terribly interesting, but I have to say that in the few biographical details that I have read about Horacio Quiroga I am convinced that there has been no other writer who has had a more cursed life. His father died in an accident with a shotgun. Horacio's stepfather, when he had become quite ill, killed himself. Horacio had been the one to discover the body. Quiroga's first wife committed suicide, leaving him with two small children. When they had grown up, they too became suicides. Sadly, when Quiroga was suffering from intractable pain from advanced prostate cancer, he chose to end his life with cyanide, but not before leaving over two hundred short stories to posterity.
Quiroga (1878-1937) is considered to be one of the finest short-story writers Latin America has produced, and among the writers there with whom the modern short story begins. This anthology was published in 1976 and contains 12 of his best pieces written between 1907 and 1935. It was the first collection in English covering the span of his career.Quiroga is known for his economy of style and power of dramatic focus, rapid narrative, and dark view of mankind, often showing people motivated by greed, fear, anger, stupidity or a desire for revenge. Most of the stories in this collection involved violence, death, madness or horror. There were also several animal tales featuring dogs and snakes that talked. Many of the pieces were set in the torrid jungle of the Misiones district of northeastern Argentina, and showed man's inability to control nature and fate. Two were set in the city. Just one story in the collection had a conventional hero and happy outcome: a courageous woman rowed for hours against a raging flood to get help for a companion.For me, the most interesting piece was "The Pursued," an early story containing the narrator's description of the gradual descent into madness of his intellectual acquaintance in the city. The interest came from the gripping description of the descent, and the fact that the narrator's comments suggested that he too was insane and contributed to the other's disintegration. Other good stories included the title piece, which showed children's terrifying powers of imitation in a way that won't soon be forgotten, and "The Dead Man" and "Drifting," about the rage to live against approaching death. The illustrations commissioned for the edition of the book I read were also well done and contributed to the stories' atmosphere.Some of the pieces had some affinities with magic realism, if that means the use merely of the bizarre or supernatural. His works weren't magic realism in the sense of use of nonlinear, parallel plots, unusual shifts in time and space, creation of a mythical place, or heavy borrowing from myth, legend and dream. The stories included in the collection were very linear in narrative and didn't distort reality in intensifying it. His work may be related to magic realism in the same distant way as an author like Ambrose Bierce or many writers of horror stories are related to it.A minor criticism of this anthology might be that the atmosphere of virtually unrelieved doom and darkness got a bit oppressive after awhile. I would've liked to read additional stories by this author in this short, 160-page collection to see whether he was capable of a greater range. Within the fictional territory included in this short book, he was powerful. I'd agree with other readers that his writing is important for readers interested in Latin American fiction, particularly the short story.Another collection in English of the writer's work is The Exiles and Other Stories, produced in 1987 by the same publisher. It focuses more on the atmosphere of the Misiones jungle and the various characters who inhabited it, and less on the intense atmosphere of dread, the supernatural and the bizarre.
Quiroga's work is some of the strangest material I've ever encountered, and also some of the grimmest. He has an acute awareness of mortality that expands with each tale and his prose, in translation is really lush and great. You will not come away from any of these stories feeling unaffected; this is what means to call something bizarro literature appropriately.
I love Quiroga and these short stories are no exceptions! Beautiful, surreal, fables of humanity, morality, and environmentalism. I would suggest this book for anyone who likes Latin authors or philosophy.
The Great German poet Hersonlog Breich said of this work, "One of the most stunning arts of _expression in modern times". Of course he was writing in 1941, but the statement still stands the test of time...Also recommended:The Tenant by Roland ToporThe Terrifying Tales by Edgar Allan PoeJapanese Tales of Mystery & Imagination by Rampo, EdogawaCount Magnus and Other Ghost Stories by M. R. JamesVampires;: Stories of the supernatural by Aleksey Konstantinovich TolstoyThe White People and Other Weird Stories by Arthur MachenThe Thing on the Doorstep and Other Weird Stories by H. P. LovecraftAncient Sorceries and Other Weird Stories by Algernon BlackwoodKwaidan: Stories and Studies of Strange Things by Lafcadio HearnTwice-Told Tales by Nathaniel Hawthorne
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