Kamis, 28 Februari 2013

Download Ebook Vensim Fast Guide, by Juan Martín García Ph.D.

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Product details

Series: Vensim (Book 2019)

Paperback: 267 pages

Publisher: Independently published (August 12, 2018)

Language: English

ISBN-10: 1718128703

ISBN-13: 978-1718128705

Product Dimensions:

8.5 x 0.6 x 11 inches

Shipping Weight: 1.7 pounds (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#1,749,589 in Books (See Top 100 in Books)

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Kamis, 21 Februari 2013

Ebook Paradise Lost and Paradise Regained (Collins Classics)

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Paradise Lost and Paradise Regained (Collins Classics)

Product details

Series: Collins Classics

Paperback

Publisher: HarperCollins Publishers; UK ed. edition (October 1, 2011)

Language: English

ISBN-10: 9780007902101

ISBN-13: 978-0007902101

ASIN: 0007902107

Product Dimensions:

4.4 x 1 x 7 inches

Shipping Weight: 9.1 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

1,018 customer reviews

Amazon Best Sellers Rank:

#1,081,013 in Books (See Top 100 in Books)

Amazon has the bad habit of lumping reviews of multiple editions of a book without regard as to author/editor or publisher, to the detriment of the buyer's choosing an edition, so I write to make a few comments on the 984,562 editions of "Paradise Lost" listed for purchase. I have used the titles as listed by Amazon to help find the editions I refer to, and, with the exception of the books by Kastan, Lanzara, and BookCaps, the ones I discuss below are ones I own and am familiar with.The version with an introduction and comments by Pullman has text that is large and readable, line numbers and some nice illustrations, taken from the first illustrated edition, published in 1688. It is a nice copy for those who want just the text of the poem. The text is based on Stephen Orgel's 2008 Paradise Lost (Oxford World's Classics) which has been modernized presumably with respect to capitalization, spelling and punctuation. The comments by Pullman are worthwhile, but, while he may be a very good writer, he is not a scholar of Milton. Unlike Orgel, there are no annotations or notes to explain Milton's often arcane language and allusions.For readers seeking annotated versions, I suggest the following.The ultimate edition of Milton Alastair Fowler's Milton: Paradise Lost: it has been called the Bible of Milton scholars; one review I saw called it suitable for graduate students majoring in Milton. It is one of the few available based on the first edition of "Paradise Lost", published in 1667, but Fowler states that it also includes the additions made in the second edition of 1674 --- the version that most of today's editors use. Know that Fowler has produced a very, very scholarly version with many, many notes, sometimes to the point that they leave only two or three lines of the poem on the page, so I strongly urge using the "Look Inside" feature before deciding to buy it. I recommend Fowler's 1998 Milton: Paradise Lost (2nd Edition) edition in used paperback ---- reissue in 2006 edition with a new cover and much higher price.The blurb from the publisher on the Pullman webpage misleads the reader by mentioning "This is the first fully-annotated, old-spelling edition ..." It ain't (as the small print says). I can't find the actual book this blurb refers to, there are several that might be the one mentioned. One such version, with very favorable recommendations, is Barbara K. Lewalski's 2007 Paradise Lost that reproduces the original language, spelling, punctuation, capitalization, and italics of the 1674 text. Its annotations are on the same page. Again, I would again urge potential buyers to "Look Inside."(Incidentally, I was able to find a .pdf copy of it online).Another annotated edition, again with those on the same page, that sticks close to the original 1674 text (but with some minor modernization) is Merritt Y. Hughes' Paradise Lost (Hackett Classics), first published in 1935, and revised in 1962. It is advertised as one popular with college professors for their classes, whatever that may mean. From what I gather, Fowler has replaced Hughes as the scholarly version to use.The edition by Hughes was taken in 2003 by David Scott Kastan (Paradise Lost (Hackett Classics)) and edited more extensively, again with the annotations on the same page. Incidentally, Kastan's comments on how he edited, along with comments on any editor's choices when dealing with Milton, are well worth reading, and can be found under "Textual Introduction" using the "Look Inside" feature. I urge reading them to understand how and why there are so many different editions of Milton.Yet another annotated edition that comes close to the original is by John Leonard's Paradise Lost (Penguin Classics). The ad for this version states that the text has been modernized to the degree of reducing some capitals and italics, and correcting the spelling and some punctuation. It is annotated, but not to the degree of Fowler --- but the notes are at the back of the book rather than the bottom of the page as seems customary and which I personally find difficult to use because of constantly having to flip between pages. Again, I would urge potential buyers to "Look Inside."There are many other scholarly editions available in addition to the ones I have mentioned here, including one online at the John Milton Reading Room at Dartmouth College.For those who might like a less challenging version of "Paradise Lost", I suggest BookCaps "translation" (Amazon's words, not mine) Paradise Lost In Plain and Simple English or at an even less difficult level, Joseph Lanzara's John Milton's Paradise Lost In Plain English: A Simple, Line By Line Paraphrase Of The Complicated Masterpiece. Should those prove too difficult, there might be somewhere a copy by Classics Illustrated comics, although a search by Google turns up nothing --- perhaps they never published one.Since each edition of "Paradise Lost" has its strengths and weaknesses, how does the buyer go about selecting an edition for purchase? To me, it's rather like buying a car --- ultimately based upon personal preference, but in this case, rather than engine and body style, determined by the way the editor has modified Milton's language and added annotations, and their degree of adherence to his original language --- some editors produce as little modernization as possible to retain Milton's original meter and rhythm for reading aloud, while others try for a more modern sound. I would suggest using the "Look Inside" feature, to see what the editor has done, to help making a decision.Whichever edition you buy, may you find great enjoyment in reading what I consider the greatest epic poem in the English language --- although you might agree more with what Donald Sutherland's character, Jennings, had to say about it in the movie "Animal House": "Now what can we say about Milton's "Paradise Lost"? It's a very long poem. It was written a long time ago, and I'm sure a lot of you have difficulty understanding exactly what Milton was trying to say. ..... Don't write this down, but I find Milton probably as boring as you find Milton. Mrs. Milton found him boring too. He's a little bit long-winded, he doesn't translate very well into our generation, and his jokes are terrible."

I have three editions of Paradise Lost—Alastair Fowler's, Scott Elledge's and David Kastan's—, and this is definitely the most suited for my object and needs. David Kastan undertook a throughout update and revision of Merritt Y. Hughes' praised notes to Paradise Lost, and, although I haven't yet read Hughes' original work, I'm inclined to think that Kastan lives up to his illustrious predecessor. This edition includes a fine introduction to the poem, a glossary of uncanny words found in it, copious notes on historical, mythological and biblical allusions, and commentaries on Milton's style and poetics (they are neither as extensive nor as "scholarly" as Mr. Fowler's notes, but I find them more straightforward and elucidative to the average reader). Truly a work worthy of Milton's epic.

Milton is a genius, but the introduction and commentary on the poem are atrocious. It reminds me of Chesterton's comment about John and Revelation: "Though St. John the Evangelist saw many strange monsters in his vision, he saw no creature so wild as one of his own commentators."A far more helpful guide to Paradise Lost is Leland Ryken's volume in his series Christian Guides to the Classics. The detail is not as granular, but it's a far more reliable commentary on the poem itself.

I am a huge fan of Paradise Lost itself, but I want to confine this review to the Kindle edition of the Dover Thrift Editions. The Kindle edition has the text of the poem with straightforward formatting. Line breaks were consistent with what you would expect from print edition. There are no line numbers, but I have yet to see a kindle book with line number in poetry. My biggest complaint is that the footnotes, of which there are many, are not linked into the text, making them practically useless in the Kindle edition. It is difficult to switch back and forth between two locations without links, especially when you are not sure what part of the text will have a footnote. So, 5 stars for Paradise Lost, but just 3 stars for the Kindle edition. I would try and find one with linked footnotes.

The best way to read one of the foundational classics of the Western world is to take a class at a university from a professor who specializes in Milton and baroque English authors. The second best way is to buy an edition like this one and read everything between the covers. Paradise Lost plumbs deeply the Greeks, Romans, the Bible and other religious and secular literature. In addition, it is a commentary on the English monarchy and the storm that overtook it with the execution of Charles I in 1649. Milton played a role in that drama, and it is embedded in Paradise Lost. By the time he started writing, a restoration was afoot, and Milton had to be careful not to indict himself for his enemies, who were looking for an excuse to arrest him. In other words, to simply read only the surface story is to miss almost everything, though the story itself is wonderfully told.I read the Kindle edition. That made it easy to pop from text to notes as they came up, deepening my understanding, but a paper book with a couple of bookmarks would be almost as easy. Paradise Lost is the work of a believer, and if you are a believer not afraid to read outside the Bible, your efforts will be rewarded. If you are a lover of literature, as I am, this is the mother lode!Paradise Lost is written in verse. This version modifies the English for modern readers. Even so, it will be a project. Set goals, stick with it, and you will be rewarded. I came to look forward to my nightly reading. My goal was 100 lines a night. Usually, though, I went over. If you've ever wanted to read one of the big ones, read Paradise Lost. It's not a classic just because bookish scholars like it!

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Sabtu, 16 Februari 2013

Ebook Free Yuri Is My Job! 1, by Miman

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Yuri Is My Job! 1, by Miman

About the Author

Miman had already been a popular contributor to yuri manga anthologies when her first series, Yuri Is My Job!, launched in 2016. It is also her first series to be translated into English.

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Product details

Series: Yuri Is My Job! (Book 1)

Paperback: 176 pages

Publisher: Kodansha Comics (January 22, 2019)

Language: English

ISBN-10: 1632367777

ISBN-13: 978-1632367778

Product Dimensions:

5.7 x 0.6 x 8.2 inches

Shipping Weight: 7.5 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#214,881 in Books (See Top 100 in Books)

This came up about a month ago and that cover was enticing. Yuri Is My Job! gets off to a good start and it played with my expectations in a pleasant way. We start with Hime, a high school student. Unlike the typical sweet but confused yuri protagonist, she's not always a nice person. Her chief school ambition is to be cute and popular and long term, she wants to be a rich man's trophy wife (I imagine Hime would make a women's studies professor want to jump out of a window). A set of circumstances leaves her obliged to work at a theme cafe where the waitresses pose as private school students. Hime soon finds herself on the wrong foot with Mitsuki, a senior student/waitress, but the manager thinks it would help the cafe if they became schwesters, an upper and lower class pair bonded like sisters. It's not fun for Hime as Mitsuki is a regular drill sergeant. Hime's friend Kanoko is also pressed into service at the cafe. There is Sumika , another upper class waitress and Mai, the manager. One can feel sorry for Hime, as she is in a job where she really doesn't understand things but can also dislike her relentless, calculated cuteness. Mitsuki seems to be someone who will have quite a backstory, and Kanoko is a likeable character. Yuri Is My Job! lived up to the hopes I had for it and it will be interesting to see how the series develops. Yuri fans might have a new series well worth following.

I've read many yuri mangas, but Yuri is my job seems to have the best plot so far! I love the characters and their different facades that they put on. It makes the story very interesting and funny. I really enjoyed it! I can't wait to see what Hime-chan gets into next!

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Rabu, 13 Februari 2013

Free Download Selections from Star Wars for Recorder: Book Only (Music Is Fun)

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Selections from Star Wars for Recorder: Book Only (Music Is Fun)

Product details

Series: Music Is Fun

Paperback: 24 pages

Publisher: Alfred Music (May 1, 2008)

Language: English

ISBN-10: 0739042459

ISBN-13: 978-0739042458

Product Dimensions:

9 x 0.1 x 12 inches

Shipping Weight: 3.5 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

102 customer reviews

Amazon Best Sellers Rank:

#73,069 in Books (See Top 100 in Books)

I got this for my fourth grade son and his friends, to encourage his recorder playing. I think he's pretty excited about it, so I am hopeful that it will work out for him. There are features of the book that I think are very helpful for early beginners who are learning musical notation at the same time as the instrument (like my son). The notes are in large print, with the name of the note written inside the head of each note. Very helpful! Also, there are no key signatures, and each note is written with its sharp or flat, as required. This is sort of helpful. Most of the pieces are cluttered with sharps and/or flats, which is kind of intimidating, even though in most cases it just means the piece is arranged in a key other than C. I can see, though, how a kid who is new to reading music might find it a useful crutch. But it does not much help musical understanding. Normally when you see an accidental it means something has happened harmonically in the music, and when you're just going along in your main key the music looks plain and clean.Some of the rhythms are a little simplified, which is generally good for beginners with basic reading skills, and if they know the music they can correct the rhythms themselves. Also there is a pretty good technical section at the beginning of the book that briefly explains recorder technique and fingering and the rudiments of music notation, and provides two very simple tunes to practice on. You could theoretically use this as a stand-alone primer for starting recorder.Overall, though, I think the difficulty of the pieces is a bit high for kids who are assumed to have so little musical experience that they benefit from the above beginner-oriented features. Yoda's theme is the easiest, as it involves very simple rhythms, and only a one-octave C scale augmented with F#. The Duel of the Fates is also fairly accessible, using only the first register (up to D), and the new note of Bb as well as F#.It would probably be helpful if the songs were arranged in this way, in order of difficulty, but they are not (those are #6 and #5 respectively). I would put "May the force be with you" next, which is arranged in D minor with just one octave of range and the Bb the only "tricky" note. But with a lot of skips, it is actually pretty challenging for a beginner. Princess Leia's theme adds Db, and also requires only the first register. Like the "force" theme, it is a lovely, lyrical tune, which a motivated beginner can probably master with some effort.The Star Wars main theme is arranged in the key of F, goes up into the second register and involves big intervals and triplet rhythms, so now we're getting into challenging territory for kids. Still playable, though. Good challenge for kids, who will surely WANT very badly to play this tune. But the Imperial March is downright hard, and it is made harder by the choice of arranging it in the key of Eb. I find it MUCH easier to play on the recorder transposed down a half step into D, which would also be a lot easier to read. (On the other hand, if you want to do a duet with someone playing a Bb instrument like trumpet or clarinet, Eb is good because the other person would be playing in F, which is easy). By the time your beginning recorder student is playing chromatic scales in both the first and second registers, and reading all kinds of accidentals and dotted eighth-sixteenth rhythms, maybe a little transposing is not going to throw them one bit.I didn't mention "Throne room," which as little more than a reprise of the force theme seems like a waste of space.

I love these songs and love that it's put together, but there's no way these are "easy." I teach recorder, and there are accidentals like crazy, of course. But more troubling are the high notes! I can't hardly get them out without a terrible squeak, let alone a beginner.

I can now give headaches to all my friends and loved ones. Its like havinga super power.

John Williams! Star Wars! What more can I say? These simplified arrangements of familiar Start Wars Themes are easy to play and will appeal to the younger student who wants to go one step beyond the elementary school music offering. This music would also be AWESOME for an elementary school music program. Imagine how enthusiastic your students would be if they could actually play the imperial march! With this music, they can! Adults or more advanced players will want to find a more complete arrangement.

Has note lettering that helps make it easier for a beginner to learn. Found that beginners have some issues with how much air to push through the recorder for the very high and low notes. Guess that just takes practice. Really recommend this book for anyone interested in leaning some star wars music. Just playing around it works for piano and guitar as well (as if it wouldn't).

I LOVE THIS!!! When my kid brought home that cursed recorder, I cried. Really, I did. I was doing my usual Star Wars stuff browsing when I came across this. If I'm going to have to listen to that stupid recorder, I might as well listen to it play songs I actually WANT to hear!I'll gladly listen to anything John Williams over "Hot Cross Buns" any day!I highly recommend this to any of my fellow geeks/nerds with kids :)

This is not easy, beginner music. This is easy, intermediate music. I still can't play most of the songs. Too many flats.

Got this for my mother because she wanted to learn how to play the recorder. I would not recommend it for beginner's as the notes are pretty high to start out on. However, I play the trumpet (I'd consider myself more of an advanced musician), and I can easily read/play the notes. When I play it, the songs sound great. So, whether you're an advanced recorder player or trumpet player, I think you'd really enjoy this book.

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