Download Ebook Press Here, by Herve Tullet

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Press Here, by Herve Tullet

Download Ebook Press Here, by Herve Tullet

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About the Author

Hervé Tullet is known for his prodigious versatility, from directing ad campaigns to designing fabric for Hermès. But his real love is working with children, for whom he has published dozens of books, including the New York Times bestsellers Mix It Up!, Let's Play!, Say Zoop!, and Press Here. He lives in New York City.

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Product details

Age Range: 2 - 5 years

Grade Level: Preschool - Kindergarten

Board book: 14 pages

Publisher: Chronicle Books (February 19, 2019)

Language: English

ISBN-10: 1452178593

ISBN-13: 978-1452178592

Product Dimensions:

6 x 0.9 x 6 inches

Shipping Weight: 13.6 ounces (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

2,144 customer reviews

Amazon Best Sellers Rank:

#1,281 in Books (See Top 100 in Books)

One thing's for sure - after purchasing this book for our grandson (which I understand has not spent a day just sitting on the bookshelf!) - I'll be purchasing more books by this innovative and multi-talented author, Herve Tullet. I'd read an interview with him that discussed what he tries to achieve when writing a children's book - "the idea that adults and children should collaborate with the book together, the element of surprise, the connection between abstract and concrete concepts..." In this neat book, he achieves what he sets out to do... it allows your child to feel like a magician, assisted by nothing more than yellow, red and blue dots!Beginning with a simple yellow dot your child presses (which "magically" - via your child pressing it - responds by turning into two yellow dots on the second page), the amount of dots, colors, patterns and sizes of the dots change as the book progresses, with a child learning the meaning of pressing, turning, rubbing, tapping, shaking, tilting, blowing, along with varying degrees of movement (gently, a little bit, a little bit more, hard, a little bit harder, really hard) - and direction (left, right, up, down). Love the fact that the cover is SO thick - allows for all of that manhandling!Throughout, your child is cheered on with words like "Great! Perfect! Well done! Fabulous! Excellent!" as his/her actions appear to create the "magic" happening on each page. Toward the end, your child will be clapping to make the dots larger and larger and LARGER until finally that original one yellow dot (with a white hole in the center) is taking up the entire two page spread... at which point your child's encouraged to "Quick, press the white dot", with the final page showing the original yellow dot and saying, "Bravo! Want to do it all over again? Back to the beginning. This way..." with an arrow. This is really an energizing, just PERFECT little book for engaging your child in a fun way, especially if you let your own self be a kid again and "oooh" & "aaah" at the magic (but with all of the clapping at the end, 56 pages long and the encouragement to do it all over again, more suited for daytime rather than a bedtime read!)I really like the clean look of this book - its brilliance is in its simplicity... stretching a child's imagination while teaching concepts of movement in such a magical way. Reminded me of an amazing college-aged aunt we had who never stopped being a kid herself, whom we would swarm around as she would make the simplest activities seem magical - thought of her as I read it, wondering if perhaps Mr. Tullet knew my Aunt Mary? ;-) Herve Tullet does a terrific job, and I found it well worth the imprinted $15.99 price.

We love this book! It's so simple yet engaging and fun. I first got this book when my daughter was just shy of 2 years old. She was verbal, but she didn't take to this book at that time. I put it away deflated, thinking it just wasn't for her, but a couple months later, I pulled it out again and what fun! At 2.5 years old, she interacts with the book, rubbing and tapping on the circles to make it change colors or make more circles. Now she has memorized what to do in each page and I love watching her interact with every single page. It's fun for her and fun for me to watch her interact.

Bought this book for our first son, who loved it. Now our second son is enjoying it just as much (and they have very different personalities). The interactive element is great for younger kids who have trouble paying attention to a book. And there are things for older kids too. Recently, our older son noticed that where the different dots overlap, they form secondary colors (red and yellow make orange, etc.). The book itself is sturdy and the pages are fairly thick to stand up to some abuse. Definitely recommend!

One of those books that we've grown to love more the more we read it. The first time we read it, I was thinking "hmmm...this is a little weird" but then I read it with my 3 year old and he LOVED interacting with the book. I totally see where you were going with this, Herve Tullet! I guess I was too old to see it :)

This is a gift for my 5 year old daughter for Christmas. She has borrowed this book 100 times from the school library so we just had to get her her own copy. It's a fun interactive book that she never tires from reading. Also ordered the other title "Mix It Up" by the same author and it looks just as awesome (she hasn't read it yet - but I know she'll love it!) I recommend having both in your children's library.

My daughter loves having books read to her and I was really excited to get an interactive book for her. However, she wasn't very patient or wanting to participate in the page instructions. I liked it though and thought it was a fun book.Unfortunately my copy had some sticky stuff in between a couple of pages. And the cover of the book was slightly bent at the corner.

This is such a cute, interactive book! I bought it for my niece, but honestly the adults that read it to her enjoyed it just as much. It is a longer book, and she doesn't usually make it through all the pages, but she loves tapping the dots and tilting the book in the first half. I wouldn't recommend the book for children less than 2 because: 1) its a bit longer book (so, longer than the 10 pages that my niece can normally sit through) and 2) the pages aren't thicker paper or cardboard, and in my experience little ones like to turn the pages and might have more difficulty with this book. Otherwise, its a really creative book unlike what I've seen before and I love how kids get to be interactive with the content. Looking at getting more books from this author in the future!

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PDF Ebook A Complete Handbook of Literary Forms in the Bible, by Leland Ryken

PDF Ebook A Complete Handbook of Literary Forms in the Bible, by Leland Ryken

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A Complete Handbook of Literary Forms in the Bible, by Leland Ryken

PDF Ebook A Complete Handbook of Literary Forms in the Bible, by Leland Ryken

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Review

“Coming from a world-renowned expert in the literary forms of the Bible and drawing on the expertise that can come only from a lifetime of college teaching, this marvelous new book will take its place as an essential reference work that should be in the library of everyone who seeks to study or teach the Bible in greater depth. Highly recommended.”―Wayne Grudem, Distinguished Research Professor of Theology and Biblical Studies, Phoenix Seminary“Here is a book, indeed, to keep at hand: it will hold a permanent place by my Bible. Leland Ryken illustrates the interrelationship between meaning and form in a manner that is erudite, accessible, and illuminating. Learning about literary forms in the Bible deepens our understanding and appreciation of Scripture, and glorifies our God as Author of all.”―Carolyn Weber, Faculty Member, Brescia University College, Western University, London, Ontario; author, Surprised by Oxford and Holy Is the Day“This extremely useful book will be warmly welcomed by teachers, not only within churches, but also in college and university settings. A highly practical vade mecum for any serious reader of the Bible, for students of the Bible in its literary dimension it will become practically indispensable. Leland Ryken has made yet another superb contribution to our textual resources for biblical learning.”―David Lyle Jeffrey, Distinguished Professor of Literature and the Humanities, Baylor University“Here is a reader-friendly handbook that will significantly enhance one’s understanding of the Bible. What a wonderful tool for pastors, laypeople, and students alike, who will now be able to benefit from Leland Ryken’s wise insights and marvelous literary skills. I heartily recommend this volume.”―David S. Dockery, President, Trinity International University / Trinity Evangelical Divinity School“A ready reference for scholars and general readers who wish to understand the Bible better and in its own terms, Ryken’s handbook needs to be on every serious Bible reader’s shelf and used often. A profoundly helpful resource.”―Michael Travers, Associate Dean of the College of Humanities and Social Sciences, Oklahoma Baptist University“In this essential handbook, Ryken guides us to a proper understanding of the many literary forms of Scripture. Pastors and all readers of the Bible will deepen their understanding of God’s Word if they read this book cover to cover and keep it nearby for future reference.”―Tremper Longman III, Distinguished Scholar of Biblical Studies, Westmont College“Our kind Father has gone to great lengths to speak to us, yet sometimes our finite minds struggle to comprehend the complexities of his Word. This book will greatly enhance your ability to understand confusing passages, as well as see deeper richness in the old, familiar stories. Ryken helps you become more skillful at interpreting the Bible and knowing how to apply it accurately. The result will be a great increase in your love and admiration for our heavenly Father, who shares his heart with us in profound poetry, striking stories, colorful dialogue, and vivid imagery. Those who love Scripture, or want to love Scripture more, should read this book!”―Barbara Duguid, author, Extravagant Grace“This is a genuinely helpful resource for all readers of the Bible, but it is an especially excellent reference for teachers and students of the Bible as literature. Ryken’s volume will help readers experience, enjoy, and understand the Bible in new ways. The breadth of entries is thorough and truly impressive. Individual entries are concise but include enough explanation and examples to successfully illustrate each literary form discussed. This book is written by an expert in literature and the Bible, and it shows.”―David V. Urban, Associate Professor of English, Calvin College“This uniquely useful and accessible handbook will be a favorite among the tools used by serious students of the Bible. In recent decades, attention to the literary structures of the Bible’s various genres has become prominent. With all of the distractions of the modern world, study tools like this will help Christians to be imbued with the mind of Christ through his Word. I highly recommend this superb contribution to biblical studies.”―Gregory Reynolds, Pastor, Amoskeag Presbyterian Church, Manchester, New Hampshire; author, The Word Is Worth a Thousand Pictures: Preaching in the Electronic Age; editor, Ordained Servant: A Journal for Church Officers“Leland Ryken’s handbook is a well-conceived, concisely written, hugely helpful resource for students and teachers alike. Far from turning the Bible into ‘mere’ literature, Ryken draws us deeper into the authoritative and inerrant truths of the Scriptures. Just as we cannot know Christ apart from his incarnation as Jesus of Nazareth, so we cannot fully know the Bible until we understand the literary forms in which it was written.”―Louis Markos, Professor of English and Scholar in Residence, Houston Baptist University; author, From Achilles to Christ and Literature: A Student’s Guide

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About the Author

Leland Ryken (PhD, University of Oregon) served as professor of English at Wheaton College for nearly 50 years. He has authored or edited over fifty books, including The Word of God in English and A Complete Handbook of Literary Forms in the Bible. He is a frequent speaker at the Evangelical Theological Society's annual meetings and served as literary stylist for the English Standard Version Bible.

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Product details

Paperback: 224 pages

Publisher: Crossway (October 31, 2014)

Language: English

ISBN-10: 1433541149

ISBN-13: 978-1433541148

Product Dimensions:

5.5 x 0.6 x 8.5 inches

Shipping Weight: 9.6 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

13 customer reviews

Amazon Best Sellers Rank:

#35,243 in Books (See Top 100 in Books)

Excellent resource and also a helpful/insightful way to think about familiar storylines in the bible as they relate to classic storylines.

Extremely complete listing and explanation of biblical literary forms.

Great book! Quite necessary for scholarly investigation.

As a young missionary and student of the Bible, I once received counsel to check out certain commentaries written by scholars who didn't believe the Bible to be true. This counselor wasn't trying to lead me away from the true faith but toward it, because he suggested, "Many liberal scholars are more willing than conservatives to take the Bible at face value. Since they don't care what the Bible says, they have nothing to lose by being honest about its message." Having grown tired of endless word studies and thin defenses of dogmatic opinions on every page of some conservative commentaries, I gave it a try.And I began learning to read the Bible as a work of literature.(Please note: Not all commenters are created equal. Some unbelieving scholars take offense at the Bible's message and seek to undermine it at every turn. I'm not writing about them, but about their colleagues who approach the Bible with more indifference than aggression.)This approach helped me for a time, leading me to learn from brilliant (though spiritually foolish) writers how beautiful and well-written the Scriptures are. I learned how important structure was to ancient authors. I gained a keener eye for devices like characterization, comparison and contrast, inclusio (bookends), and repetition. I realized how important the original audience is to our interpretation. I learned to set aside my preconceptions, since I often had to suspend my disgust for the commentator's assumptions in order to sharpen my ability to observe the text and delight in the ancient artistry.Enter Leland Ryken.Dr. Ryken showed me that I didn't have to simmer in unbelieving scholarship in order to read the Bible for what it is: literature.One of my earliest "wow" experiences was being required to read selections from Ryken's Words of Delight: A Literary Introduction to the Bible for a seminary course. The book was so good, I finished it on my own as soon as the course ended. And I've returned to it regularly ever since.Ryken teaches college-level English and trusts God's word. I praise God for his service to the kingdom of God in our generation, through his teaching career and long list of published works. And I was delighted when this man I deeply respect was willing to endorse my book Knowable Word.Crossway caught my eye when they offered me a copy of Ryken's recent work, A Complete Handbook of Literary Forms in the Bible, in exchange for an honest review. This handbook appeared to be a useful tool for any student's library.And Ryken's Handbook delivers on a grand scale. Ryken gets literature, and he gets the Bible.The Handbook lists about 270 different forms Bible passages follow and gives definitions, explanations, and examples for each form. The handbook's introduction explains why literary form matters: Writers communicate meaning through form. If we ignore form, we often miss the meaning. There is no content in the Bible communicated without a form. And a biblical understanding of inspiration requires us to recognize the inspiration of not only words and content but also the shape those words take.Ryken explains:"The most obvious lesson that this handbook reveals is that the Bible is much more infused with literary forms and techniques than we realize. In fact, I predict that anyone who browses in this book for ten minutes will be shocked by the extent to which literary forms and techniques are present in the Bible." (Kindle loc. 381)Dr. Ryken is a prophet indeed. The Handbook will help you understand forms like soliloquy, three-plus-one motifs, parody, insult, irony, hero stories, fantasy, foreshadowing, envelope structure, apostrophe, coming-of-age stories,stories of villainy, and lament psalms, to name but a small percentage of forms.I would imagine using this reference often, except for one significant flaw that undermines its usefulness to average Bible readers like me. It has no Scripture index. This handbook is useful only to those already familiar with the extensive literary terms. If I'm reading Job 3, and I want to learn more about how soliloquies work, this handbook offers a marvelous explanation. But if I've never heard the term soliloquy, the handbook will be of no use to me.I would give this book 5 stars if it had a Scripture index tying Bible references to the names of literary forms found in them. Without such an index, unfortunately, I can't see most readers benefitting from this handbook—unless they're either steeped in the terminology of literature or reading other reference works making use of that terminology.

In the introduction to this marvelous little book, Leland Ryken makes a distinction that helps explain why his book is necessary. Some people, he notes, argue that "the literary forms of the Bible are only the forms in which the content comes to us." By contrast, he argues that the Bible's literary forms are "the only form in which the content is expressed." He concludes: "Without form, no content exists. Form is meaning. Meaning is embodied in form."If Ryken is correct--and I think he is--then we must pay attention to genres, literary techniques, motifs, archetypes and type scenes, figures of speech, rhetorical devices, stylistic traits, and formulas, for these literary forms are the vehicles by means of which biblical authors, inspired by God, expressed theological, historical, and moral content. Failure to understand the literary form correctly may result in a failure to understand the Bible correctly. We should not interpret a parable as a historical narrative, to cite an obvious example. If we do, we misunderstand both.The handbook presents literary forms in alphabetical order, beginning with "ABUNDANCE, STORY OF" and ending with "WORSHIP PSALM." For each form, Ryken provides both definition and example. Most of his entries are noncontroversial, though I think "PARABLE" might ruffle a few pastoral feathers, since it argues that parables are "usually allegorical," in the sense that "numerous details in most of [Jesus'] parables stand for something else." My guess is that readers will agree the substance of Ryken's remarks, even if they chafe at his use of the words allegory and allegorical.Ryken's entries, "COMEDY" and "TRAGEDY," point to architectonic truths about the literary form of the Bible considered as a whole. "It is a commonplace of literary criticism," Ryken writes in the former entry, "that comedy rather than tragedy is the dominant form of the Bible and the Christian gospel." Why? "The story begins with the creation of a perfect world. It descends into the tragedy of fallen human history. It ends with a new world of total happiness and victory over evil." By contrast, as Ryken writes in the latter entry, "The materials for tragedy are everywhere present in the Bible, but the Bible is largely a collection of averted tragedies--potential tragedies that are avoided through human repentance and divine forgiveness." The biblical metanarrative of creation, fall, and redemption encodes a comic worldview, a hopeful story with a happy ending. No wonder joy is the predominant response to the gospel whenever it is preached!Those wishing to study the literary forms of the Bible in greater depth can turn to several other works by the same author, including: How to Read the Bible as Literature,Words of Delight: A Literary Introduction to the Bible,Ryken's Bible Handbook, and Dictionary of Biblical Imagery, which he co-edited with James C. Wilhoit and Tremper Longman III.Finally, on a personal note, I was a student of Ryken's in his classes on British Literature and Milton at Wheaton College (Class of '91). I enjoyed those classes thoroughly, despite the bullwhip. (Don't ask!) And I continue to profit from his many writings on the literary qualities of the Bible.

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Ebook , by Catherine Reef

Ebook , by Catherine Reef

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Product details

File Size: 171452 KB

Print Length: 197 pages

Page Numbers Source ISBN: 0544535804

Publisher: Clarion Books (November 8, 2016)

Publication Date: November 8, 2016

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B01912QAM4

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Amazon Best Sellers Rank:

#408,853 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

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Gift for my Mom.She reports that there is a lot of back ground information on Florence Nightingale and her family. Written for a young adult audience but interesting for adults as well.

Very elegant book. Nurses have loved it.

Catherine Reef's autobiography of the legendary nurse Florence Nightingale is a fine example of a young adult book whose audience has no upper limit. In straightforward prose, Ms. Reef tells the story of the young woman born into British privilege who brushed aside her social position to nurse the sick and war wounded.I had no idea so much could be known about Florence Nightingale. I pretty much knew her as only a mythical saint -- all I knew was that she nursed wounded soldiers in the Crimean War. Ms. Reef uses a hundred or more sources to flesh out the very real human being. Each person in Nightingale's story comes to life: the mother determined that her daughter not dirty her hands and sully the family reputation; the father who weakly encourages her but retreats at the first sign of discord; the sickly sister whose jealousy and resentment festers; the extended family and high-born family friends who help the determined young woman achieve her goal.The narrative is enlivened with quotes taken from memoirs, letters and official paperwork. Photographs and drawings aid in conjuring both the real woman and the woman the public wanted to imagine. I appreciate that the author didn't downplay Ms. Nightingale's motivation for pursuing her chosen profession. "On February 7, something happened to Flo while she was alone in her bedroom, something strange, wondrous, and mystical," the author writes. "It seemed to her that God spoke her name and called her to His service." By acknowledging Florence's faith, the author relays the strong foundation that carried her through her decades of grueling work as a nurse, a nursing administrator and the driving force in establishing nursing as a trained profession.Ms. Reef's book isn't a complete work of hagiography. She acknowledges Florence's shortcomings -- her lack of compassion for the nurses under her charge, her harsh feelings toward her parents, her increasingly bad temper as her health declines -- and notes when Florence's medical ideas were wrong. For example, she believed, as most did at the time, that contagion was not how illness spread, that illness came from "miasma," or a stew of bad air, not from germs and bacteria. But when science proved that theory wrong, she willingly changed her mind and the curricula of her nursing schools.All in all, this is a young adult book that should cross the aisle to the adult shelves. As with many books, the only difference I can see is that the type is larger, with more white space between the lines. I'm not sure why this should characterize a young adult book... their eyes are better than those of older folks anyway!

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Ebook Montgomery Ward Catalogue of 1895 (Dover Pictorial Archive)

Ebook Montgomery Ward Catalogue of 1895 (Dover Pictorial Archive)

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Montgomery Ward Catalogue of 1895 (Dover Pictorial Archive)

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From the Back Cover

Tea gowns, bleached damask, and yards of flannel and pillow-case lace, stereoscopes, books of gospel hymns and ballroom gems, the New Improved Singer Sewing Machine, side saddles, anti-freezing well pumps, Windsor Stoves, milk skimmers, straight-edged razors, high-button shoes, woven cane carpet beaters, spittoons, the Studebaker Road Cart, commodes and washstands, the "Fire Fly" single wheel hoe, cultivator, and plow combined, flat irons, and ice cream freezers. What man, woman, or child of the 1890s could resist these offerings of the Montgomery Ward catalogue, the one book that was read avidly, year after year, by millions of Americans on farms and in small towns across the nation? The Montgomery Ward catalogue provides one of the few irrefutably accurate pictures of what life was "really like" in the gay nineties, for it described and illustrated almost anything that anybody could possibly need or want in the way of "store-bought" goods. In fact, in that pre-department store era, it was usually the only source for such goods. Imagine if Montgomery Ward had issued an illustrated catalogue in the days of Louis XIV, or Elizabeth I, or Charlemagne: what insights would we have into the daily life of the "common folk," the farmers and shopkeeper, housewives and schoolchildren . . . what sources of information for historians and scholars, collectors and dealers, what models for artists and designers.In 1895, Montgomery Ward was the oldest, largest, and most representative mail-order house in the country. The brainchild of a former traveling salesman, it issued its first catalogue in 1872, a one-page listing of items. By 1895, the catalogue, reprinted here, had grown to 624 pages and listed some 25,000 items, almost all of them illustrated with live drawings. Montgomery Ward was by then a multi-million dollar business that profoundly affected the American economy; and since it reached the most isolated farms and backwoods cabins, its effect on American culture was almost as great. Now once again available, it is our truest, most unbiased record of the spirit of the 1890s.An introduction on the history of the Montgomery Ward Company and its catalogue has been prepared especially for this edition by Boris Emmet, Ph.D. (Johns Hopkins), a foremost expert on retail merchandising. His monumental work Catalogues and Counters has long been recognized as a landmark in the study of American economic history.

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Product details

Series: Dover Pictorial Archive (Book 57)

Paperback: 648 pages

Publisher: Dover Publications; Facsimile Ed edition (August 1, 1969)

Language: English

ISBN-10: 0486223779

ISBN-13: 978-0486223773

Product Dimensions:

8.8 x 1.2 x 11.8 inches

Shipping Weight: 3.2 pounds

Average Customer Review:

5.0 out of 5 stars

19 customer reviews

Amazon Best Sellers Rank:

#326,478 in Books (See Top 100 in Books)

Like the Sears Roebuck catalogue, which sits beside it on my shelf, this unabridged reprint is an indispensable tool for anyone who wants to know the kinds of items that might have been found in a typical middle-class home a hundred-odd years ago. In some ways it's even superior: the illustrations have reproduced more clearly, with their details better visible, and the type, though you may still want a magnifier to read it, is also more easily made out. Prices are of course included, though you'll want to allow for the fact that MW was at that time not a conventional retail house, but confined to mail-order, which allowed it to undercut the "traditional" merchants just as Net sellers can today! There's a full index right at the front, where you can easily look up whatever you may be interested in at the moment; or you can simply open the volume at random and start browsing. And, unlike Sears, it even has a toy section! Like all Dover books, its paper and binding are superior in quality, and will doubtless last very well. Since the items listed don't duplicate exactly, I strongly suggest purchasing both catalogues. As a writer of historical fiction, I use both frequently. Highly recommended.

This is the coolest book! It is an actual reproduction of a Montgomery Ward catalog and it's fun to see the items available for purchase back in 1895, like clothes, tools, toys, guns, and other items. The print is tiny, but it's still a fun read.

This is a must-have for anyone trying to write about the late nineteenth century.

Love looking at the past prices

It is a cool look in to the past. And it will make a great gift. What more can I say.

I love the help this book is to me as a historical fiction writer. I get as much from the advertising and the small print as I do from the great little black and white drawings of all the items.

This is much better than the Sears replica because the print is clear and readable. I use it in my research as a novelist. John

Bought for art projects

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PDF Download , by The Gamer Geeks

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Product details

File Size: 933 KB

Print Length: 12 pages

Simultaneous Device Usage: Unlimited

Publication Date: March 6, 2014

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00IUKTFP8

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